Vincenzo Latronico’s slender volume captures a culture of exquisite taste, tender sensitivities, and gnawing discontent.

“The Frenzy” seems to me a very New Jersey story, an adventure of naïve hope, cynicism, humbling, and humiliation—an ending ...

The artist’s seemingly simple pen strokes were capable of capturing both the gravity and the absurdity of peacetime and war.

“A Matter of Complexion,” “The Moral Circle,” “The Boyhood of Cain,” and “Theory & Practice.” ...

Suggested reading from critics and editors at The New York Times.